Library | Zahner

New Castle County Library

Brandywine Hundred Library in New Castle County

The Brandywine Hundred Library in New Castle is designed by Studio Hillier and features a Zahner manufactured colonnade with a custom copper patina. The building’s forms recall a historic aesthetic, while its large windows emphasize its natural setting.

Strongly rooted in the landscape and history of the Brandywine Valley, the new 40,000 gross square foot library serves as a 21st century meeting house, expressing and enhancing modern interconnectivity.

The project includes a custom patinated copper canopy which was fabricated by Zahner for the building’s entry soffit. 290 sheets of copper were processed to develop a unique and rustic patina across its surface. This is an early architectural example of custom preweathered patina on copper.

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New Castle County Library

Detail of Brandywine Hundred Library in New Castle County

At the end of the colonnade, an outdoor amphitheater creates the library’s storytelling center. The building is composed of two parts—the smaller encompassing the community center, the larger housing the library’s 100,000 volumes, including a reading area with fireplace. The building is fully wired for computers, accommodates 350, and features a 50-seat café and 200-car secure parking lot.

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Irving Convention Center

The project features a Zahner-engineered and produced copper curtain-wall. The entire surface of the project is custom perforated and bumped with a pattern unique to the building. The surface integrates the ZIRA Process for generating the embossed and punched surface.

Prepatinated copper canopy caps the colonnade for Brandywine Hundred Library

Prepatinated copper skins for Brandywine Hundred Library in the Zahner shop

San Diego Central Library

August 15, 2016/in Art & Sculpture, Exterior Architecture Library San Diego--California Luce et Studio Silver S 2014 /by cmorris

San Diego Central Library Donor Features

Signage, artworks, and architectural features designed by Luce et Studio are featured throughout the new nine-story San Diego Central Library in downtown San Diego. The features include an illuminated mast which spans four floors on the building’s North exterior, a massive-scale replica of an orchestral bow on the exterior of the ninth floor, and custom signage to celebrate the donor spaces throughout the library.

Donor Recognition

Throughout the building’s nine stories and exterior spaces are various signifiers, art elements, and architectural features which created to recognize the generous donations made by the philanthropic community in San Diego. The Central Library’s funding is unusual for a civic building, because forty percent of the costs were covered through private fund raising, including the operational costs of running the library. The private support means that the library was built with no new taxes, bonds, or moneys from the city’s general fund.

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Signage

Signage and wayfinding design has transformed over the years from a purely utilitarian and informational, into art and design. Finding ways to make signage both useful and aesthetic has been a goal of the design-engineering and fabrication at Zahner for many years.

The San Diego Central Public Library at night.

Detail of the Mast at San Diego Central Public Library.

The Mast arrives in prefabricated sections at the site for the San Diego Central Library.

The Mast at San Diego Central Library

Luce et Studio’s design for The Mast for San Diego’s downtown Public Library was designed as a 70′ tall aluminum column, whose diameter ranges from 8′ at its top and bottom, and 12′ at its median.

The Mast is constructed in aluminum with varying perforations which run up around its length. Inside of the mast is an interior LED lighting system, which provides a beacon of star-studded lights which illuminates the facade throughout the evening hours. The mast was manufactured by Zahner in Kansas City, and installed by a local team in San Diego.

The Violin Bow at San Diego Central Library

One of the donors recognized by the Museum is the late Helen Price whose continued philanthropic giving to the museum was recognized by a 30‘ scale orchestral bow to celebrate the San Diego figure’s love for the symphony.

The bow is made using stainless steel and structural cable. Both the bow and the mast were manufactured by Zahner with design support from Wallace Engineering.

Fabricators at Zahner manufacture the signage and donor recognition for the SDCL Violin Bow.

Local installers place the violin bow and donor recognition for the Helen Price Reading Room at SDCL.

The Helen Price Reading Room violin bow artwork, by Luce et Studio at SDCL.

Detail of the head plate for the finished violin bow artwork at San Diego Central Library.

Detail of the Helen Price Reading Room violin bow artwork, by Luce et Studio at SDCL.

Joan & Irwin Jacobs Common

At the building’s South entrance are multiple signage elements for the San Diego Library Joan & Irwin Jacobs Common, recognizing the philanthropist team who donated $20 million towards the library’s operational costs.

The technique used to create the building’s southern pedestrian level signage is a signature style developed by Luce et Studio on an unrealized project for Hotel James (pictured below). The signage concept was developed by Jennifer Luce to create a third dimension for the cut-out letter shapes. Zahner manufactures a groove in each of the letters, which allows the letter to then be folded out. The concept was first created years prior, and is featured prominently as a notable signage display for the San Diego Central Library.

Custom signage concept designed by Luce et Studio for an unrealized Hotel James. The letters, laser cut from stainless steel, become three dimensional louvers, connected by a small tab.

San Diego Central Library signage with custom ornamental detailing.

Joan ? Irwin Jacobs Common donor plaque and signage for San Diego Central Library.

Joan and Irwin Jacobs Common donor plaque and signage for San Diego Central Library.

Library Bar Code Signage

One of the themes that moves throughout the entirety of the library is a bar code motif, extruding from the letter forms of various donor plaques and signage elements on both the interior and exterior surfaces of the library. The extruded letter forms also break planes and wrap around columns, walls, and concrete boundaries.

The thick metals used in the custom signage include stainless steel and bronze, and included areas that are painted, as well as areas that let the metal surface shine through, much of which uses Zahner’s Angel Hair mechanical non-directional surface treatment.

Donald C. & Elizabeth M Dickinson Popular Library ornamental donor signage for SDPL Central Library.

Exploration Floor signage recognizing the donation of Joy & Ed Frieman .

Custom donor signage for the San Diego Central Library.

Custom donor signage for the Pauline Foster Family Teen Center at San Diego Central Library.

Custom signage for the San Diego Central Library.

Joan ? Irwin Jacobs Common signage donor recognition for the San Diego Central Library .

Shiley Special Events Suite

One of the final donors donors for the new library, Darlene Shiley placed $1.2 million towards the library’s operational fund, and her donation is honored with a rooftop events suite. The entrance to the space is clad in interference stainless steel, perforated using a custom pattern. The Zahner system used to lay out the decorative metal screen panels is based on the ImageWall/ZIRA system, which also provides for a muted seam where the perforations continue across the joint’s reveal.

Pueblo Library

August 15, 2016/in Exterior Architecture Library Pueblo--Colorado Anderson Mason Dale, Antoine Predock Architect PC Black, Violet L 2003 /by cmorris

Robert Hoag Rawlings Public Library

The Robert Hoag Rawlings Public Library in Pueblo, Colorado is an Antoine Predock-designed building featuring Zahner fabrication. The library is a new construction project which provides 109,000 SF of facility for residents of the Colorado town.

Built on the site of the original library, the design by Predock rises five stories to allow view of surrounding mountains and the Arkansas Valley. The building incorporates portions of the existing library and spans across Bates Lane to additional property to the South.

Zahner provided the interior and exterior copper metalwork with a preweathered patina. The building’s dark patinated copper tones allow it to absorb into its natural regional landscape.

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Pueblo Library

Manufacturing Details for Pueblo Library

The copper wall panels made by Zahner are 30 inches wide by 142 inches tall and number 1545 wall panels and 739 soffit. The building elevations were completely laid out as a digital model for accurate layout of custom panel expansion joints.

A total of 1,545 wall panels and 739 soffit panels were provided by Zahner. The copper panels were custom manufactured from 1.5mm thick copper plates and installed using the Inverted Seam Wall System.

The facade is clad in a darkened custom patinated panel system using the Dirty Penny patina on copper, an artistic patina with significant variation.

Harold Washington Library

August 15, 2016/in Exterior Architecture Library Chicago--Illinois Hammond-- Beeby and Babka Kent Bloomer, Raymond Kaskey Green L 1991 /by cmorris

Harold Washington Library Center in Chicago, Illinois

Rising amidst the iconic buildings of Chicago, the Harold Washington Library stands 10 stories high and has been noted as one of the largest libraries in the United States. The architects responsible for the building, Hammond, Beeby and Babka are known for producing designs which employ modernism with historical allusion, often described as belonging to the postmodern movement of design.

Zahner’s involvement on the project was in regards to the architectural forms and building cornices designed by artists Kent Bloomer and Raymond Kaskey. These works form the iconic figurehead of the building, a modern take on the gargoyle iconography and the flourishes of baroque sculptures in patinated copper tones. However, the sculptures produced were actually manufactured using contemporary materials, plates of aluminum, riveted and finished with a polyester finish in the traditional verdigris tone.

The aluminum leaf forms and steel cornice railing are each powder coated with a green-toned polyester finish. Zahner provided the larger forms of these acroterion, using a foam placeholder for the smaller sculptures welded to these artworks. The animal sculptures were produced by the artist studio, and attached by Zahner.